Review

Noblesse Oblige
Noblesse Oblige

Abstraction can push a familiar scene to the limit of recognizability. Liz Gribin takes similar liberties with the human figure and it’s surroundings in her canvas, ‘Noblesse Oblige,’ which took one of the (Heckscher Museum) show’s top prizes.

Helen HarrisonNew York Times

More reviews

Abstraction can push a familiar scene to the limit of recognizability.

Helen HarrisonNew York Times

"What I responded to in Liz's work," Leitzes says, "is the juxtaposition between sadness and beauty. There's a real emotion beneath the surface."

Boston GlobeArticle by Tina SuttonAugust 12, 2007

[Liz] now aims to convey emotion rather than realism. Her abstract figures often have featureless faces, and she avoids rendering too many details, preferring to let poses and gestures lend her work its emotive quality, which she doesn’t attempt to define.

BostoniaArticle by Midge RaymondSpring 2003
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