Review

Noblesse Oblige
Noblesse Oblige

Abstraction can push a familiar scene to the limit of recognizability. Liz Gribin takes similar liberties with the human figure and it’s surroundings in her canvas, ‘Noblesse Oblige,’ which took one of the (Heckscher Museum) show’s top prizes.

Helen HarrisonNew York Times

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Abstraction can push a familiar scene to the limit of recognizability.

Helen HarrisonNew York Times

“I don’t want to face a white canvas. Sometimes I just pour color on.”

American StyleArticle by Lee LawrenceJune 2006

The manner is casual, the poses of her figures, their attitudes, are almost offhand. It is her skillful drawing that gives us the subject matter.

Malcom PrestonNewsday Art Critic
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