Review

Noblesse Oblige
Noblesse Oblige

Abstraction can push a familiar scene to the limit of recognizability. Liz Gribin takes similar liberties with the human figure and it’s surroundings in her canvas, ‘Noblesse Oblige,’ which took one of the (Heckscher Museum) show’s top prizes.

Helen HarrisonNew York Times

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Abstraction can push a familiar scene to the limit of recognizability.

Helen HarrisonNew York Times

"What I responded to in Liz's work," Leitzes says, "is the juxtaposition between sadness and beauty. There's a real emotion beneath the surface."

Boston GlobeArticle by Tina SuttonAugust 12, 2007

This artist's quiet authority is apparent both in person and in her work.

Elaine BensonBridgehampton Gallery Owner
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